
Let us all bow our heads and take a moment to remember the hip-hop soundtrack.

Let us all bow our heads and take a moment to remember the hip-hop soundtrack.

“A lawyer with his briefcase can steal more than a hundred men with guns.“
– Mario Puzo, The Godfather
Society demands that we be easily categorized. We are defined not only by our race, gender, geographical location, and political leanings, but also by the things we buy, wear, and drive, and how we choose to spend our days and nights.

Everyone knows that an epic hip-hop battle that took place in late 2001, when Jay-Z and Nas brawled for the throne, but far too many people forget that another classic rap clash began that year as well.

Kendrick has been releasing music since the age of 16, back when he was still known as K-Dot, so there is a quite a bit of material of his out there that was not released on any of his studio projects and I decided to put together a list of some of my favorites.

Originally, Murder Inc. was to be the name of a supergroup comprised of Jay-Z, DMX, and Ja Rule. All three were signed to Def Jam (through their own imprints of Roc-A-Fella, Ruff Ryders, and Murder Inc.) and had known one another for years. They appeared in each other’s videos, shouted out one another, and performed on the same stage during the Hard Knock Life tour.
In 1999, when all three were at – or very close to – the peak of their popularity, they appeared on the cover of XXL to announce the formation of Murder Inc. Some believe that the three could’ve become the greatest hip-hop group in history, but it never happened. As Ja Rule said, “We tried to deliver that album. It was a situation where egos all just played a part in its demise.”
We’ll most likely never get a Murder Inc. album so, just as I did with Detox, I have collected the tracks they did record together in various combinations.

After two classics and sixteen years of rumors, Dr. Dre’s highly anticipated and long-awaited third album was released last summer.
Only it’s not Detox.

Much like the NBA, the Grammys have a complicated relationship with hip-hop. Decisions like Young MC’s “Bust a Move” winning over Public Enemy’s “Fight the Power” have led many to believe that those who vote on the Grammys have no clue about real hip-hop.

Since 1995, there has been a connection between Nas, Mobb Deep, and Raekwon.

Lil’ Kim was 22-years-old on November 12, 1996, when she uttered those lines, the first lyrics on her debut album, Hard Core. Just one week later, 18-year-old Foxy Brown released her own debut, Ill Na Na, and together the two Brooklyn College Academy alumni set the course for female emcees for the next two decades, changing the way women in hip-hop present themselves to the world — and how they are received by it.
From the cover photos to the lyrics to the album titles, almost nothing was left to the imagination, and with their lethal combination of sexy and street, they easily appealed to fans from both genders.
While Kim and Foxy may not have been the first female hip-hop artists to use their looks as their strongest weapon, they were certainly the most visible and, at least up until that point, the most successful.

“Class of nine-eight, my fellow graduates / Well-known savages”
– Nature, “Fire”
A seismic shift occurred in hip-hop in 1998.