Christopher Pierznik is the author of 9 books and has contributed to numerous websites on a variety of topics including music, sports, movies, TV, personal finance, and life. He works in corporate finance and lives in northern New Jersey with his family. His dream is to one day be a member of the Wu-Tang Clan.
I’ve had so many bad job interview experiences. For years, it felt as if every time I went for an interview, I walked out feeling dejected and miserable. There were times when it felt like it would never improve. As someone that is now in the position where I interview others to join my team, I’m empathetic to those that come in looking for an opportunity.
In the opening moments of the iconic track, “N.Y. State of Mind,” Nas almost mumbles, “I don’t know how to start this shit.”
It’s appropriate, almost poetic, that this line kept running through my head as I thought about how to approach this review because Daniel Levin Becker’s What’s Good: Notes on Rap and Language is all about lines and lyrics – how they’re created, how deep they go, how they get stuck in our heads, and, awkwardly, what they mean within the larger societal context.
I fucking hate fireworks.
I don’t hate them because of the environmental cost or how they scare animals and people with PTSD or how they celebrate things that don’t always deserved to be celebrated.
I hate them because they’re completely overrated. I hate them because they’re dumb and pointless and redundant. Most of all, though, I hate them because of everything that is involved in experiencing the supposed magic of colorful explosions.
“I think anyone who’s not as good a writer as me is absolutely a hack, and I think anybody who’s a slightly better writer than me is brilliant.”
– Chuck Klosterman
I don’t think it’s hyperbole to say that Chuck Klosterman influenced a generation of writers and unconsciously blazed a path for how online critique and analysis would be presented in the first two decades of the 21st Century.
He came to the realization that “people want to think critically about the art that informs their life,” and has created a successful, impactful career as a result.
Lists and rankings are easy ways to create attention and chatter, especially in the internet era.
We all know this. There are countless terrible rap lists floating around online and I’ve been as guilty as anyone (my first book, The Hip-Hop 10 is always available for purchase!), but there are levels to this.
Some comic actors are just people that do funny things on TV and in films. Then there are comic actors that are so much more.
They blur lines, take risks, embrace challenges, are not afraid of being misunderstood or even unliked, and most of all are not defined by any one thing that they do.
Adam Pally is one of those.
I wrote a 3,300 word piece back in 2017 celebrating the 20th anniversary of Wu-Tang Forever, so this will be much shorter, but I couldn’t let the silver anniversary of my favorite album pass in silence.
It’s easy to forget now, considering how long ago it was and how much things have changed (both for the group and the industry), but the release of Wu-Tang Forever was an event.
I take a long walk nearly every single day.
It is one of the many reasons I was able to lose 40(ish) pounds, but I don’t do it only for the health benefits. I also do it for my mind. The walk allows me to get away from the spreadsheets and Zoom meetings, work on solving problems that seem unsolvable, and helps me generate ideas and breakthroughs, for both my personal and professional life. It helps my mental state as much as — if not more — than it helps my physical state.
Of course, there are side effects to everything and my daily stroll is no different.
“Having a bad boss isn’t your fault. Staying with one is.”
– Nora Denzel
There are three people I think about virtually every single day:
There are different kinds of biographies.
Some attempt to tell the subject’s story objectively, recounting what happened and placing it in context, but without editorializing or offering opinion. Others are planned as hit pieces, hatchet jobs with a clear intent to damage the person. Still others come from a place of admiration, presenting the individual in a glowing light at every turn.
It’s difficult to tell what It Was All a Dream: Biggie and the World that Made Him by Justin Tinsley was originally aiming to be, but the final product certainly falls into that last category.
The Passion of Christopher Pierznik 