He was regaled as the future of lyricism.
He was regaled as the future of lyricism.
Unlike many of my fellow suburban high school students, I didn’t attend concerts.Continue reading “I Was There: Smokin’ Grooves ’98”
My daughter is only three, but I often worry about her.
“Class of nine-eight, my fellow graduates / Well-known savages”
– Nature, “Fire”
A seismic shift occurred in hip-hop in 1998.
Welcome back to the latest edition of Flashback Friday Flop, a weekly feature in which I examine a hip-hop album from years ago that was considered a flop, either critically or commercially or both, when it was released and see if it has gotten better – or worse – over time.
Towards the end of 1997, hip-hop was entering a transition phase, digging itself out of the rubble left behind in the wake of the East Coast-West Coast war that altered the genre forever. The deaths of 2Pac and B.I.G., Snoop’s decline, and the dominance of Puff’s shiny suit army left an opening for new artists.
I’m stoked that Halloween is on a Saturday this year.
What began as a simple roundtable discussion with some up and coming rappers quickly turned into a cypher.
“All you n—s that said that I turned pop, or The Firm flopped/Y’all are the reason that Dre ain’t been getting no sleep”
– Dr. Dre, “Forgot About Dre”
It’s been nearly 15 years since the supergroup The Firm dropped their creatively titled effort, The Album, in October 1997, on Aftermath Entertainment. Produced by Dr. Dre and Trackmasters, it was the only LP the supergroup, which was led by Nas and featured AZ and Foxy Brown, would release. They had generated significant buzz by collaborating on a few songs together, most notably “Affirmative Action” off Nas’s It Was Written album, and considering the anticipation surrounding it and the individuals involved in creating it, The Firm (and The Album) is considered to be one of the biggest flops in hip-hop history. Since that time, everyone involved with the project has moved on – some to better things, some not so much – and they all try to pretend as if the whole thing never happened.
I, however, am still fascinated by it.
If you were to ask any hip-hop fan about The Firm, they will probably grimace and try to change the subject. The die-hard fans of Nas and AZ treat it as if it were an artistic sabbatical in which the two experimented with weird sounds in order to find their true selves, like the Beastie Boys releasing an instrumental album or Prince changing his name to a symbol. Those fans would prefer to focus on Illmatic and Doe or Die and pretend like 1997 never happened.
This was originally published on the now-defunct website Reading & Writing Is for Dumb People in 2012.
The Firm was a transition period for all involved – Nas after the success of It Was Written, AZ trying to reach the next level, Dr. Dre after Death Row but before Eminem – and it’s clear in the music. Moreover, having Dre produce one half of the album and Trackmasters produce the other half is a great idea in theory, but in practice it created a disc that is disjointed and schizophrenic. Their skills were so different that it sounded like a blended mixtape put together by a fledgling DJ.
But here’s the dirty little secret: The Firm album was number one on the Billboard 200 chart and is certified platinum. It helped bring name recognition to a young artist named Nature that most people had never heard of before. Also, despite its missteps, there were some inarguable bangers on that LP, like the ridiculously good “Phone Tap,” the polished greatness of “Firm Fiasco,” and “Desparados,” which was so good that they made it twice, the second of which made the album and featured an amazing Canibus verse.
It’s fitting that Canibus excelled on the album as he is the epitome of what is a bust in hip-hop. While he has released more than 10 solo albums in an attempt to recapture his original promise, he’s never managed to do so. Conversely, The Firm disbanded after that lone LP. Anticipated for several years and backed by two of the top producers in the game at the time, The Album was a disappointment to both critics and fans and went a long way in ending the Mafioso era in rap. In the end, despite the sales and classic tracks, if they never reunite, their ultimate legacy will be one of disappointment.
Christopher Pierznik’s nine books are available in paperback and Kindle. Check out more of his writing at Medium. His work has appeared on XXL, Cuepoint, Business Insider, The Cauldron, Medium, Fatherly, Hip Hop Golden Age, and many more. Subscribe to his monthly newsletter or follow him on Facebook or Twitter.