In the opening moments of the iconic track, “N.Y. State of Mind,” Nas almost mumbles, “I don’t know how to start this shit.”
It’s appropriate, almost poetic, that this line kept running through my head as I thought about how to approach this review because Daniel Levin Becker’s What’s Good: Notes on Rap and Language is all about lines and lyrics – how they’re created, how deep they go, how they get stuck in our heads, and, awkwardly, what they mean within the larger societal context.
“Soon as I hold a pen I co-defend the sickest MCs”
August 11, 2009.
I walked into the FYE in the Gallery at Market East in Philly and headed straight for the new releases section. I had already gone digital with my iPod Classic but a new album dropped that day and I wanted an actual physical CD.
Another whirlwind year.
Eminem is one of the all-time greats, a surefire future hall of famer. He’s one of the most commercially successful musicians ever, the second highest-selling singles artist of all time with over 220 million records sold worldwide and nine consecutive number one albums (including his greatest hits collection). Six of his major label releases have won the Grammy for Best Rap Album (he has fifteen in total).
I have a confession to make: I didn’t love Enter the Wu-Tang [36 Chambers] the first time I heard it. Actually, I kinda sorta didn’t even like it. I know that’s like the Pope saying he didn’t dig the Bible the first time he read it, but it’s true.
He was the soul of G-Funk.
Every time you heard an Onyx song, you knew it was coming.
One of the best rappers in history is a white dude.
A few weeks ago, Marshall Mathers III, known to the world as Eminem, released an eight-minute track titled “Campaign Speech,” in which he takes aim at all sorts of individuals, most especially Donald Trump.
The Passion of Christopher Pierznik 