The last half of the 1990s was a period of major transition in hip-hop.
The game’s two biggest stars were gunned down and the genre’s mightiest record label crumbled.
From the ashes rose the shiny suit era, but there was something else bubbling underground. A cadre of small, independent record labels began releasing all types of rap as an entire new class of young, hungry artists burst onto the scene.
One of those labels was Rawkus Records and its roster included one of those artists, Mos Def.
In the opening moments of the iconic track, “N.Y. State of Mind,” Nas almost mumbles, “I don’t know how to start this shit.”
It’s appropriate, almost poetic, that this line kept running through my head as I thought about how to approach this review because Daniel Levin Becker’s What’s Good: Notes on Rap and Language is all about lines and lyrics – how they’re created, how deep they go, how they get stuck in our heads, and, awkwardly, what they mean within the larger societal context.
I’m always interested in an artist’s process – where they work, how they develop ideas, what tools and technology they use. Looking at Eminem’s pages, I’m fascinated how these turn into fully formed songs.
The Passion of Christopher Pierznik 