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Flashback Friday Flop

Flashback Friday Flop: “Nastradamus”

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Welcome back to the latest edition of Flashback Friday Flop, a weekly feature in which I examine a hip-hop album from years ago that was considered a flop, either critically or commercially or both, when it was released and see if it has gotten better – or worse – over time. 

This week: Nas’s Nastradamus (1999)

1999 was a strange time for music, especially hip-hop. The genre was only a few years removed from the deaths of its two biggest stars; Jay-Z had become a superstar; and a slew of young cats had entered the game. At the same time, Napster exploded onto the scene and online piracy immediately turned the music industry upside down, forcing several major rap acts to change their albums on the fly.

The biggest victim of this was Nas, who, after the classic Illmatic and the highly successful It Was Written, had been preparing an epic concept double album titled I Am…The Autobiography for his third release. When much of that album leaked, Nas scrapped both the concept and the double album, recorded a few new songs, and released a single disc mishmash titled simply I Am… in May, 1999.

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Flashback Friday Flop

Flashback Friday Flop: “Yeezus”

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Welcome back to the latest edition of Flashback Friday Flop, a weekly feature in which I examine a hip-hop album from years ago that was considered a flop, either critically or commercially or both, when it was released and see if it has gotten better – or worse – over time. 

This week: Kanye West’s Yeezus (2013)

Kanye West’s Yeezus was a success, both critically and financially.

It was one of the most acclaimed works of 2013. It was ranked as the top album of the year by TIME, Entertainment Weekly, The Guardian, The A.V. Club, Spin, The Daily Beast, and Consequence of Sound and was ranked number two by Pitchfork, NME, and Rolling Stone. In short, “Yeezus happens to be musically amazing, too, and in a completely different way from every other Kanye West record.”

It also sold 327,000 copies its first week, debuting atop the Billboard chart, and racking up the best first week sales of any hip-hop album in over two years, all without a traditional major single.

If it was such a critical and commercial success, why is it included here?

Categories
Greatness Hip-Hop Uncategorized

Murder Inc.: The Supergroup That Never Was

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Originally, Murder Inc. was to be the name of a supergroup comprised of Jay-Z, DMX, and Ja Rule. All three were signed to Def Jam (through their own imprints of Roc-A-Fella, Ruff Ryders, and Murder Inc.) and had known one another for years. They appeared in each other’s videos, shouted out one another, and performed on the same stage during the Hard Knock Life tour.

In 1999, when all three were at – or very close to – the peak of their popularity, they appeared on the cover of XXL to announce the formation of Murder Inc. Some believe that the three could’ve become the greatest hip-hop group in history, but it never happened. As Ja Rule said, “We tried to deliver that album. It was a situation where egos all just played a part in its demise.”

We’ll most likely never get a Murder Inc. album so, just as I did with Detox, I have collected the tracks they did record together in various combinations.

Categories
Music

1999: The Year Hip-Hop Sprang a Leak

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In 1999, as the world was prepping for Y2K, another, less heralded innovation in the world of computers was about to change the music business: “Napster launched in 1999, and over the next three years tens of millions of music fans eagerly (and by today’s standards, incredibly slowly) downloaded oft-mistagged, low-bitrate mp3 versions of new music to their hard drives, and shared what they’d ripped themselves with software like the WinAmp player.”

The industry would never be the same.

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Flashback Friday Flop

Flashback Friday Flop: “Til the Casket Drops”

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Welcome back to the latest edition of Flashback Friday Flop, a weekly feature in which I examine a hip-hop album from years ago that was considered a flop, either critically or commercially or both, when it was released and see if it has gotten better – or worse – over time. 

This week: Clipse’s Til the Casket Drops (2009)

In the spring of 2002, there came a song with a sparse, backbreaking beat that immediately induced Pavlovian head nodding. As Pharrell introduced himself and proclaimed that “The world is about to hear something that they never heard before,” another voice kept chanting “I’m your pusha!

This is how most people were introduced to Clipse.

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Flashback Friday Flop

Flashback Friday Flop: “Blood Money”

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Welcome back to the latest edition of Flashback Friday Flop, a weekly feature in which I examine a hip-hop album from years ago that was considered a flop, either critically or commercially or both, when it was released and see if it has gotten better – or worse – over time. 

This week: Mobb Deep’s Blood Money (2006)

Hip-Hop was experiencing another golden age in the mid-1990s. Classic albums were coming from all over the map. The south had Scarface, UGK, Goodie Mob, and Outkast. The west had Death Row, Ras Kass, and DJ Quik. And in New York, there was The Notorious B.I.G., Jay-Z, Nas, Wu-Tang Clan, and Mobb Deep.

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Flashback Friday Flop

Flashback Friday Flop: “Welcome to: Our House”

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Welcome back to the latest edition of Flashback Friday Flop, a weekly feature in which I examine a hip-hop album from years ago that was considered a flop, either critically or commercially or both, when it was released and see if it has gotten better – or worse – over time. 

This week: Slaughterhouse’s Welcome to: Our House (2012)

I’m a Slaughterhouse fanatic. I really, really like Joe Budden, Royce Da 5’9″, Joell Ortiz, and Crooked I as individual artists, but I love them as a group. Unfortunately, their aggressive, super lyrical content would be more at home in the late ’80s or early ’90s, so I’m one of about 29 people that went out and purchased their debut self-titled album in 2009.

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The Musical Outcast Uncategorized

The NBA & Hip-Hop: Til Death Do They Part

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The NBA has a complicated history with hip-hop, but the sooner it embraces the fact that the two are forever entwined, the better it will be. My latest for The Musical Outcast.

Continue reading…

Christopher Pierznik is the author of eight books, all of which can be purchased in paperback and Kindle. His work has appeared on XXL, Cuepoint, Business Insider, The Cauldron, and many more. You can follow him on Facebook or Twitter.

Categories
Books Life Nostalgia Passion

When Collecting Becomes an Obsession

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Like many ’80s babies, I was a huge card collector when I was kid. I bought, sold, and traded baseball, basketball, football, and even some hockey cards with my friends. We’d have card collecting parties where everyone would bring boxes of the cards with which they were willing to part and we’d act like we were in an adolescent version of Boiler Room.

Categories
Hip-Hop Medium Uncategorized

Nineteen Ninety-Sex: The Year of Rap’s Femme Fatales

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I used to be scared of the dick/Now I throw lips to the shit, handle it like a real bitch

Lil’ Kim was 22-years-old on November 12, 1996, when she uttered those lines, the first lyrics on her debut album, Hard Core. Just one week later, 18-year-old Foxy Brown released her own debut, Ill Na Na, and together the two Brooklyn College Academy alumni set the course for female emcees for the next two decades, changing the way women in hip-hop present themselves to the world — and how they are received by it.

From the cover photos to the lyrics to the album titles, almost nothing was left to the imagination, and with their lethal combination of sexy and street, they easily appealed to fans from both genders.

While Kim and Foxy may not have been the first female hip-hop artists to use their looks as their strongest weapon, they were certainly the most visible and, at least up until that point, the most successful.