For most of us, life is not like a sitcom. We don’t meet up with our friends every single day at Central Perk or MacLaren’s or Cheers, but we do have our spots that we prefer over all others. We may not go there all the time, but we feel most comfortable there. It is where we are in our element, where we invite everyone to join us. It is our home field, as it were.
Mine was Memphis Taproom.
So I was quite dismayed a few weeks ago when I read the news that it would be closing its doors for good.
Ancient Rome was a crowded place. There were all sorts of people from all sorts of backgrounds and social statuses jostling in the streets. It would have been difficult to make your way through the mass of humanity.
I used to be a Twitter superuser, tweeting multiple times per day, interacting with both close friends and complete strangers, using it as a place to get both information and laughs, and everything in between.
In recent years, though, it stopped being fun. There are a multitude of reasons for that. The vitriol. The anger. The constant arguing over race, politics, and culture. The bad began outweighing the good.
“I am not a writer. I’ve been fooling myself and other people.”
— John Steinbeck
Maybe it’s a new job or even a new career. Perhaps it’s a promotion. It could be a spot in a graduate program or a leading role in a big show.
The details can vary, but the underlying thought remains: I don’t belong here and, worse, everyone will realize it any moment now and I’ll be shunned forever.
It’s called imposter syndrome and while it seems to affect all of us, we internalize it to the point that we believe it affects only us.
“Whenever you are asked if you can do a job, tell ’em, ‘Certainly I can!’ Then get busy and find out how to do it.”
– Theodore Roosevelt
I’ve had so many bad job interview experiences. For years, it felt as if every time I went for an interview, I walked out feeling dejected and miserable. There were times when it felt like it would never improve. As someone that is now in the position where I interview others to join my team, I’m empathetic to those that come in looking for an opportunity.
“Remember the last new firework you saw? I’ll save you some time — you’ve never seen a new firework. Same show every year, and every year you all act impressed.”
—Danny Jolles
I fucking hate fireworks.
I don’t hate them because of the environmental cost or how they scare animals and people with PTSD or how they celebrate things that don’t always deserved to be celebrated.
I hate them because they’re completely overrated. I hate them because they’re dumb and pointless and redundant. Most of all, though, I hate them because of everything that is involved in experiencing the supposed magic of colorful explosions.
“He who is not contented with what he has, would not be contented with what he would like to have.”
— Socrates
I take a long walk nearly every single day.
It is one of the many reasons I was able to lose 40(ish) pounds, but I don’t do it only for the health benefits. I also do it for my mind. The walk allows me to get away from the spreadsheets and Zoom meetings, work on solving problems that seem unsolvable, and helps me generate ideas and breakthroughs, for both my personal and professional life. It helps my mental state as much as — if not more — than it helps my physical state.
Of course, there are side effects to everything and my daily stroll is no different.
The approach of Westside Gunn and his crew offers valuable wisdom for not only music, but business, writing, and even life
“I really like that whole, like, cliquing up, Griselda shit. It’s just ill to me…I think what they’re doing is great. It just reminds me of a different time and it’s not easy to do. To make that music and just come off wavy and be interesting.”
— Drake
The 2010s was a decade in which the line between rap and other genres became not only blurred, but largely nonexistent. Referred to by some as the “melodic era,” it was no longer a rarity or even a surprise to see a hip-hop artist transition into harmonizing, and while that had certainly been done in the past, it now became de rigueur as Drake, Young Thug, and many others rode that wave to stardom.
At the same time, some dudes stepped onto the scene and began flooding the market with their own music that sounded fresh but at the same time reminiscent of projects that had been released in the mid-’90s. No singing, no theatrics, just grim street tales of drugs and violence delivered over grimy, pounding basslines, creating a “gnarly sound inspired by the slimy criminal underbelly of Buffalo, New York.”