
At some point, Wu-Tang Clan became known more as an entity – a thing – than simply music.

At some point, Wu-Tang Clan became known more as an entity – a thing – than simply music.

Let us all bow our heads and take a moment to remember the hip-hop soundtrack.

Welcome back to the latest edition of Flashback Friday Flop, a weekly feature in which I examine a hip-hop album from years ago that was considered a flop, either critically or commercially or both, when it was released and see if it has gotten better – or worse – over time.
In the twenty-plus years since arriving on the scene, the members of Wu-Tang Clan have released about 50 albums, both as a group and as individual solo artists. Depending on the criteria used (does Cappadonna count? What about Redman & Method Man albums? How about Czarface?) that number can rise significantly. Of those 50, some are undeniable classics.

This is the latest entry of Flashback Friday Flop, a weekly feature in which I will examine a hip-hop album from years ago that was considered a flop, either critically or commercially or both, when it was released and see if it has gotten better – or worse – over time.
I make no secret of my devotion to all things Wu-Tang. I’ve studied their albums, their synergies, and even made it a point to be there to drink a beer dedicated to them.
But I’m also a realest, an honest disciple, and I’ll be the first to tell you that the Wu has had some rough times. Neither 8 Diagrams or A Better Tomorrow were good and it looks like they’ve become the hip-hop version of The Rolling Stones: no one wants to hear their new stuff but people will still pay money to see them perform their classics live.
Over the past thirty years, there have been a lot of books written about hip-hop. It seems that any idiot with a laptop has not only written a book on the subject, but also a sequel.