“I ruined Christmas!”
The tears burst from my nine-year-old’s eyes as she blamed herself for the ramifications of a global pandemic that has lasted for three years. All kids go crazy for Christmas, of course, but my daughter is certainly in the highest percentile of Santa fanatics, so having her holiday plans dashed was especially difficult.
My life did not turn out the way I would have expected.
Of all the ups and downs that parenthood brings, one of the best is seeing Christmas through a child’s eyes again. Life often makes us cynical and sometimes it takes a fresh perspective to remind us of who we used to be.
Welcome back to the latest edition of Flashback Friday Flop, a weekly feature in which I examine a hip-hop album from years ago that was considered a flop, either critically or commercially or both, when it was released and see if it has gotten better – or worse – over time.
By December of 1996, the once formidable Death Row Records was crumbling. Over the course of just a few months, Dr. Dre had defected, 2Pac had been killed, Suge Knight was sent to prison, and Snoop Doggy Dogg’s highly anticipated second album was a major disappointment.
The Passion of Christopher Pierznik 