
“Every time I stepped into madness of the crowds, I longed for the wisdom of the loneliness.“
— Mehmet Murat Ildan
“Why don’t you write about rap anymore?”

“Every time I stepped into madness of the crowds, I longed for the wisdom of the loneliness.“
— Mehmet Murat Ildan
“Why don’t you write about rap anymore?”

This originally appeared on I Hate JJ Redick on February 3, 2012
I would argue the Wu-Tang Clan the most influential hip-hop collective outside of possibly Run-DMC. It’s more than just music, chess, and karate flicks. It’s a way of life and almost a religion. For proof, look no further than the fact that the makeup, philosophy and history of the Wu-Tang Clan has its own manual and even its own bible.

Is it really going to be 2020?

In most cases, progress and evolution happen slowly, over a period of time marked by small, incremental changes. Occasionally, however, a seismic shift occurs and a culture transforms overnight.
That is what happened in 1986 when a young man with a voice that sounded like it was from outer space came in the door and changed the game forever with “Eric B. Is President,” the first single from Eric B. & Rakim. The latter half of that duo was still in high school when he introduced a “new era of rhyme style” with complex internal rhymes full of multisyllabic words and a relaxed, composed delivery that was more conversational than shouting.
It was a new day in hip-hop.

There are times when being a musical artist creates a no-win situation. Fickle fans want you to grow, but keep making the same sort of music. They don’t want you to repeat yourself, but quickly become unhappy if the new stuff is too different from what they expected.

The latest iteration of my newsletter includes thoughts on the first day of school – for both kids and adults – family vacations, the juxtaposition of grandparents and grandchildren, writing about hip-hop again, and of course, the latest books I encountered.

“Got me behind the pot again”
The odds were stacked against him.

Growing up in the Philly area, there is a constant underlying feeling of inferiority, like a little brother, in regards to New York City, particularly within the realm of hip-hop.

Jay-Z is the most successful emcee in history. With 14 number one albums on the Billboard chart (11 in a row as a solo artist), 21 Grammys, over 100 million records sold, and countless other side deals, he has repeatedly gone beyond the normal bounds of what a rapper could do.

For three decades, ever since he first stole the show on Main Source’s “Live at the BBQ” all the way back in 1991, Nas has been crafting incredible rhymes and blessing microphones. He has a stack of classic verses, to the point that some of them don’t even appear on his own LPs.
Though undoubtedly one of the all-time greats, his career has had its highs and lows, his artistic ambition sometimes taking him to new heights, while other times leading him to stray from what made a living legend.
When he’s at his best, no one is better.
So which projects are his best?